![]() ![]() This means you don’t need to set your gain before recording and there is no risk of clipping your signal. It also has a 32-bit floating-point digital output.ģ2-bit floating point is a recording format that gives you an ultra-wide dynamic range, allowing you to adjust your levels after recording in case your audio has clipped or is too quiet, without loss of audio information or introducing noise to your signal. It features the company’s ultra-low-noise Revolution preamp, hi-res A/D (up to 192kHz, however only multiples of 48kHz are available), and advanced digital signal processing. RØDE has included a pro-grade audio interface inside the NT1. The digital side, however, is where things get really interesting. So if you want to connect it to an analogue preamp, crank it up and burn your signal onto tape with proper old-school saturation, it’s the same as it ever was. It offers the same extended frequency response and high SPL handling as the NT1, while RØDE claims to have reduced the noise floor to 4dBA, making it the quietest studio condenser microphone available, they tell us. ![]() When using the XLR output, it works the same as previous versions of the NT1 and the analogue signal path is completely separate from the digital output.
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